City Lines
A two-week architectural study tracing the geometry of the downtown financial district. Shot at dawn to catch glass towers mid-reflection, the series explores the contrast between hard engineering and the soft beauty of morning light.
Northmere
Fine-art photography & visual storytelling
Quiet light, patient frames, and prints made to last.
Northmere
I’m an independent photographer and printmaker working between Brooklyn and the coast.
After a decade behind the camera, I still prefer people and places unposed, exactly as they are.
Every frame is built on light, restraint and a little patience; the best are printed in small, signed editions.
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My Services
Four ways to work together, from a single sitting to a full art-directed shoot.
1. Portrait Photography
Unhurried sittings in natural light that look like the person, not the pose.
2. Event Coverage
Quiet, candid coverage of launches, gatherings and celebrations, delivered as a story.
3. Commercial Photography
Clean, considered imagery for makers and small brands, shot for web, print and packaging.
4. Creative Direction
Concept, casting, location and styling handled end to end so the shoot day runs smoothly.
Case Studies
Four recent projects, from first sketch to final print.
Studio Light
A portrait series built on restraint — one window, one sitter, no retouching beyond tone. Through patient lighting and rich monochrome-adjacent colour, the work turns a simple studio setup into quietly powerful images.
The Making
A behind-the-scenes documentary of creative process — sketches, contact sheets and long studio days. Shot to show how much thinking sits behind a single frame, and how craft turns into finished artwork.
Field Notes
An editorial collaboration pairing photography with written essays on craft and attention. Minimal styling, available light, and honest direction keep every frame grounded in the subject’s real working rhythm.
Testimonials
Notes from clients and collaborators after their sessions.
Julian OrtizEvery frame felt considered. The prints now hang in our lobby and visitors ask about them every week.
Owen HaleCalm, professional and a pleasure to collaborate. The contact sheet held frames we never knew were taken, and they became our favourites.
Amara VossHe has a gift for catching real expression. Every picture feels honest, warm and unforced.
Jonah PryceSmooth from the first call to the final gallery. Delivered ahead of schedule, and the prints look superb on our walls.
Gallery
Selected frames from recent years: architecture, portraits, landscapes and quiet still life.
FAQs
Quick answers about services, process and delivery.
Portraits, event coverage, commercial and editorial work, plus creative direction for styled shoots. If your project blends a few of these, that’s normal — most commissions do.
Yes. I shoot across the country and travel internationally for weddings, events and commercial briefs. Travel costs are quoted transparently before you book.
Two to four weeks for portraits and small sessions; two to three months for weddings and large events. Last-minute dates sometimes open up — just ask.
Portrait and commercial galleries arrive within 7–10 days; weddings and multi-day events within 3–4 weeks. You’ll always get a few preview frames within 48 hours.
Every gallery is hand-edited for colour, tone and light. Natural skin retouching is included in portraits; advanced compositing is quoted per project.
Send the date, location and a sentence about what you need through the contact form. I reply with a tailored quote within one working day.